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Free Bokeh Worship Backgrounds

January 18th, 2010

So last night, when I was hoping to go to sleep, my mind turned into creative mode, and I created these “bokeh” style worship backgrounds. Thanks to @mediamilitia for the images. These are available in three different sizes for you worshiping needs: 1920×1080, 1366×768, 1280×1024. Links are below for the downloads. I would love to hear what you all think of the backgrounds, and I plan on having more available soon. Share these with all your friends! Also, if you would like a custom size, drop me a line on Twitter!
Read more…

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Critique Please!

October 4th, 2009

So I’m creating a graphic for the new series we are starting Wednesday @kefs’s student youth groups. I would love for you to let me know what you think of this main graphic.

Here is what its about: This five-week small group study will help teenagers understand God’s purposes for their lives.
LifeHasAPurposeBlog

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The Sound Tech’s Perspective

April 24th, 2009

Picture of soundboard at eFree where I run sound, Taken with cell phone

Well Chris Huff of behindthemixer.com is looking for what the sound tech thinks of the band members. He did a post of the musicians point of view. You can read that here. But here is my point of view on the musicians. Don’t get upset @kentsundberg if I offend you.

1. What could the musicians/singers do better?
-When a new song is added, it would be nice if it was listened to so they know how it is supposed to sound, rather then just trying to make it up as they go.

2. What do the musicians/singers do really well?
-We have great musicians who know what they are doing. It makes things very easy when the music is practiced and then know it well.

3. Where is the biggest disconnect between the sound tech and the praise bands?
-Sense the services I run are usually louder, its hard for me sometimes to communicate to them.

4. Do you take suggestions from the musicians/singers?
-I don’t get many suggestions other then from the worship pastor on how to the mix should sound. I do take his opinion and if I agree I adjust.

5. Do you give suggestions to the musicians/singers?
-I try to but most of the time my opinions are ignored.

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Stuff Christians Like – aaronasay.com

March 25th, 2009

Well my good ‘ol buddy Aaron Asay made a post over at his blog, and I thought I would share it all with you.

Just stumbled upon this great blog post from “Stuff Christians Like.” It’s about the move we all do when something happens during a Worship Service… Hilarious! As if it’s not hard enough to run FOH in a church, there’s always someone who thinks they may be able to do it better than you – poor sound guys…

Here’s how the author describes it:

Step 1
Sound messes up.

Step 2
You quickly try to remember where the sound guy is stationed in the sanctuary.

Step 3
You crane your neck to his position and stare at him with eyes that say, “Do you not hear this? That microphone is on fire! Why do you want church to suck? Do you hate Jesus? That’s it, isn’t it? You hate Jesus. You sweaty Philistine.”

Step 4
Sound is restored. You turn back around and silently thank yourself for contributing to the rectification of the problem by pointing it out with your sound guy neck crane.

I love #3… “Do you hate Jesus!?” So funny… because that’s actually how we choose the FOH operators at eFree!

Read the whole article: Stuff Christians Like: #507 // don’t forget to read the comments!

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Being the FOH guy I am myself, I have gone through this exact situation. Have you? Has anyone ever done this before on a Sunday morning? Well I would love to hear your comments! Be sure to post them below, and be sure to read Aaron’s blog over at Aaronasay.com

ScubaSteve

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Tips for New Sound Guys at Churches

March 7th, 2009

I have been running sound at eFree in Kearney for about 3 years now. Before that I had run sound at Kearney High School sense my freshman year. Now running sound can be a very difficult job in the church today. It is a position that I have been learning sense I have started and will be until I don’t run it anymore. I thought that I would share some of the tips that I think could help those guys that are coming in and starting to run sound for churches.

1. Listen to the original recordings – Listening to the recordings can be very beneficial to the sound guy. It gives him something to base his mix off of. Instead of trying to guess what sounds right, he knows what the band wanted when they wrote the song. At eFree we use a service called Planning Center Online. This is a service for churches to go in and plan out the schedule each week and send emails to the people involved in the services. We have 3 groups of people we send the emails to: Audio/Visual, Band, Vocals. Each person then can go in and look at the schedule and listen to the .mp3 files our worship arts pastor @kentsundberg uploads each week.

2. Find your main instruments and vocals – This can be a great way to start in the balancing of your mix. Vocals: When starting with mixing the vocals, find your lead singer. This should be easily determinable, but if you do not know, just go ask. For us, it is mainly a male, and after finding the lead singer, find your next dominate voice. For me it is normally the dominate female singer. I set the levels so that your lead singer is always heard and the next main voice is just under that volume. You want to make sure that if your lead singer drops out, you have your next main voice there to back them up. With the remaining voices, set their levels under your two main voices as a fill. You want to make sure that they can be heard but not overpowering your two main voices.

3. Main Instruments – I start my mixing process in this order: (Balance overall drum set then pull out of mix, start with acoustic guitar, lead electric, bass, re add drum mix, electric guitar, keys.) This is going to be different for each church setup and for the feeling of each sound guy. For most of the music that we play on a Sunday morning, acoustic is the main instrument. And there are some tips that I have learned to help set the instruments individually to keep a consistent mix with good quality. When starting out, I try to set the high-hat of the drum set and the acoustic guitar to the same audio level. With the electric guitars, I try to just match the volume. The lead and rhythm guitar are constantly switching between the two, so to help ensure they are heard, I match their volume when starting the mix. I save the keys for the end of the mix because this can be a difficult instrument to hear in the mix. I save if for last and when I have a majority of the mix in balance I over power the keys and then pull them out until I almost lose them. This helps me find them in the mix and make sure that they fill the empty spaces in the overall mix of the entire worship team.

4. Practice – Go to all the practices the worship team has. This was a huge benefit for me when I mix every week. Our second service team practices every Thursday night around 9:30. I try to never miss a practice because I am able to learn how they music will sound in the Worship Center and gives me tips on when an audio level needs to be adjusted in a part of the song and make notes. Also try to find times to work with other sound guys at practices and see how they run a service. I have been working with our first service sound guy on tips on mixing a drum set. If there is something that you do well in mixing, go to the other volunteers and help them to bring the best product possible to the congregation.

5. Learn – Learn your instrumentalists/vocalists and the music they play. Over time I have learned how most of the music should go and how it should sound. Now with that, I still listen to the songs at least once every week before Thursday’s practice. But something that has helped me tremendously was learning the individual players and their styles. For our second service drummer, @aaronasay, I have learned how he likes to play, his style, and the force that he hits is drums. I know when I first get there and start mixing the drum set, he is up there tuning his in-ear monitors for himself. This gives me a great time to get his drums set, for the most part, and move on to the next instrument. For an example of a singer, Karah likes to have a little reverb when she sings a solo. I know each week when she is scheduled, I need to make sure that I have that ready and that her mic is eq’d to her voice. Knowing what your instrumentalists and vocalists like to have will allow them to be more comfortable on stage and bring the best they can to the rest of the worship team and the congregation.

6. Ask – If you don’t know how to do something, ask someone. This can be very important when trying to eq your individual channels. This is an area I still have some difficulty in doing well. Like I stated before about Karah, I have learned where her voices sounds best in the eq. If you don’t know how to eq well, i recommend that this is something you allow a professional to do for you, or ask for tips to do it well. If this isn’t done properly, it can make your mix sound a lot worse. Also, if there is a problem and something is not going right don’t try to guess what is wrong and possible risk making things worse. If you don’t know, always ask someone who might have a better idea.

Running sound can be a very difficult task for volunteers and can take a lot of work. With these tips and more, you can ease the process of running sound and make it a more enjoyable time for you, the worship team, and the congregation that listens to it. Now, do you have any tips you think can help? Do you disagree with my tips? Please leave a comment and help me and others in this field of work. I am also planning on adding more, smaller, tips over time as I think of them.

-Scuba Steve-

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